ORIGINAL: XeRocks81
His lyrics don't get more personal than on Testimony. AND they're very religious so I don't quite know what to make of that statement. HE also used to be a pretty big fuckup before he started writing The Light.
I think twenty different songs about why Jesus loves you are far less personal than twenty different songs about twenty different shitty things from your life.
I'll also agree that Neal had more problems before he "found God," but that might be why I tend to prefer his early lyrics. Religion can act as a softening influence on shit that would normally make you miserable. It's why the poor are much more likely to be pious than the rich.
When you lose those nervous, anxious thoughts, they don't go into the outlet of your songwriting. That's a detriment right there. I'm not talking about song after song based on pointless self-loathing and misery, that's Morrisey territory. Depressing lyrics full of self-doubt are always good for shouelace gazing mall kids. That’s why Dashboard Confessional can sell so many albums, and not have a single original idea. I miss REAL music for depressed smart kids on major labels, stuff like The Smiths, Pink Floyd, or XTC.
There’s lots of bands who have great music, but shitty lyrcs, or vice-versa. The ability to create both is what separates truly great songwriters from just talented poets and lyricists or musicians and composers.
Great songs will always have that element of tension and conflict. Someone wants something they can’t have, or has something they can’t want. That’s why Lennon and McCartney were worth so much more than the sum of their parts. McCartney was the sappy romantic, and Lennon played the bitter cynic. Well, he didn’t play anything, but it worked. This push and pull dynamic allows for all the trapings of metaphor, ambiguity, irony, and symbolism. When the song has more than one dimension to the dynamic, you can layer the meanings upon meanings, until a pedestrian concept becomes a human interest story. That’s why the Clash had political songs, and The Police had songs about life that only became political at a certain level. The human aspect was more moving than the politics, and that’s what a good song is supposed to do anyway. Move you.
“Goodness Gracious is there nothing left to say?
When the ones who should be watchdogs
are the ones that look away
It’s pabulum for the sleepers
in the cult of brighter days
Goodness Gracious at the mercy of the crooks
We’re broke and stroking vegetables
and there’s way too many cooks
In every pot a pink slip
In every mouth a hook
Goodness Gracious I’m not listening anymore
Cause the spooks are in the White House
and they’ve justified a war
So wake me when they notify
we’re gonna fight some more
Goodness Gracious not many people care
Concern is getting scarcer
true compassion really rare
I can see it on our faces. I can feel it in the air
Goodness Gracious me.
Goodness Gracious my generation’s lost
They burned down all our bridges
before we had a chance to cross
Is it the winter of our discontent or just an early frost?
Goodness Gracious of apathy I sing
The baby boomers had it all and wasted everything
Now recess is almost over
and they won’t get off the swing
Goodness Gracious we came in at the end
No sex that isn’t dangerous, no money left to spend
We’re the cleanup crew for parties
we were too young to attend
Goodness Gracious me.
Goodness Gracious my grandma used to say
The world’s a scary place now,
things were different in her day
What horrors will be commonplace
when my hair starts to grey?â€