ganpondorodf
The phrase "clusterfuck" ceases to be adequate, wow.
I prefer listening to the full version, vox, solos and all. I think James sounds terrific on Black Clouds... "Fly now be FRAAAAAAYY!" is an obvious highlight. I normally don't like "woaaah" type wordless singing, but the final vocal bit on The Count of Tuscany is brilliant.
Couldn't have said that first bit better meself... this thread is... ouch... to behold. I just want to say, MP was totally justified flipping out, in my opinion. But I won't delve further into that touchy matter.
But back on the real topic, I also agree with the second part. The "woaah" type vocals, as you referred to them, I felt were kind of an awkward ending to the 12-step-suite, I think it should have ended on the much more awesome note of "I WANT MAH HAAAAAND TO BEE THEEEERE!" But I agree, they fit for TCoT.
P.S. what I said before about The Count of Tuscany's lyrics being "horrible", you'll notice I said horrible "if you don't know what's going on." If you actually know what the hell it's talking about then you're like "OHHH" and they're not as awkward. Still, for a song so long and epic, I expected the subject matter to a bit more... awesome. I dunno, they're alright, and instrumentally the song is unbelievable, I've come to expect more from JP's lyrics, especially after the epic awesome that was In the Presence of Enemies.
As for the rest of the album's lyrics, I like, especially Mike's. Both The Shattered Fortress and The Best of Times are some of Mike's best in years, lyric-wise, but as I think I said before, JP's got Wither going for him, and I adore the middle section of A Nightmare to Remember (aka The "Hospital" part.)
Despite this, I actually do enjoy listening to the instrumental mixes every now and then. I can Jordan better and I like that.
<message edited by Frunobulax on Tuesday, December 08, 2009 7:52 PM>