I'm not that good at reviewing albums, but if you don't want any spoilers for PH's new album, ignore this post.
Our Eyes Give It Shape - A straightforward rocker ala "Pushing Thirty"...in fact, this song wouldn't be too out of place on
The Future Now. Hammill delivers a short-but-sweet distorted guitar solo here. The lyrics in a nutshell deal with seeing the light at the end of the tunnel.
Event Horizon - Very calm and moody...Hammill paints an interesting atmosphere with just his acoustic guitar and vocals, and some synth background sounds. Not much more to say.
Famous Last Words - Quite possibly my favorite track on the album. Starts off with just vocals, keyboard, and a stringed instruments (guitar...harp maybe?), and gradually builds in intensity. By the second chorus, we get that "chill inducing" factor here, with the addition of drums, bass, distorted guitar, and lots of overdubbed background vocals. Lyrics are very dark, and deal with Hammill's disgust with last words and how they've become so cliche.
"It's a little too late for sorry...in a race against the clock...now you hit that mental block...time to take that poison cup...now your time is all used up." Naked To The Flame - Holy layered vocals Batman! This is one very interesting and cool song. Throughout most of the song, the lyrics are spoken in one channel, sung in both, with lots of background vocals added in as well. Adds a nice complexity to a song that could just be basically Hammill and his acoustic guitar.
Meanwhile My Mother - A calm, serene song, with a gorgeous melody. Nice use of organ and strings. I don't have much to say about this song other than that "I like it."
Vainglorious Boy - The other "rocker" on this album. Some nice tasteful guitar playing on here. Hammill proves with this track that his increasing age and years of smoking have little to no effect on his voice. He sounds incredible.
Of Wire, Of Wood - Strange and short (only 1:30) instrumental. Consists of just Hammill on piano with a percussion loop in the background (think King Crimson's "Waiting Man"). I'm detecting a sort of a PG3 vibe for the first part of this tune.
Friday Afternoon - This song proves what a magnificent songwriter and storyteller PH each. The track consists of pretty much Hammill and his piano. The percussion loop from "Of Wire, Of Wood" also makes an appearance here. Very strong lyrically, and I'm not going to divuldge any details of the little short story. Don't want to spoil it for you guys, but I will say that it is pretty depressing. Probably my second favorite track on the album.
White Dot - Very dark and sinister sounding track. Lots of distortion and weird vocal effects. Certainly an interesting way to close the album.
"Does nothing come to mind, when you're finally mindful of nothing?" Overall, this is one excellent album. PH does all of the instruments on
Singularity, and there are a lot of layered sounds and vocals parts. Hammill's singing and songwriting are in top form. All of you PH fans in this thread *NEED* to pick this one up. It's no
In Camera or
Silent Corner..., but definitely on part with
The Future Now. One of the best albums released this year.
<message edited by drumline0671 on Saturday, December 30, 2006 2:28 AM>